setsuled: (Frog Leaf)


The potential complications from Aeryn's past as a Peacekeeper finally come to the fore in an excellent episode of Farscape. The crew of Moya find the seemingly simple moral dichotomy of oppressor versus oppressed becomes much thornier in the reality of personal relationships.



Season 2, Episode 6: The Way We Weren't

This was the first episode to be written by Naren Shankar who'd previously worked on Star Trek: The Next Generation and who nowadays executive produces and writes for The Expanse. You can see in this Farscape episode a moral complexity similar to that which distinguishes the best episodes of The Expanse.



Digging around on Moya, Chiana (Gigi Edgley) uncovers surveillance tapes from years ago. They reveal Moya's original Pilot was not the current fellow voiced by Lani Tupu but a female member of the same species voiced by Melissa Jaffar, the actress who would go on to play the regular character Noranti in season three. Female Pilot is swiftly executed by order of Crais (also Lani Tupu) and among the Peacekeeper soldiers who carry out the order is a young Aeryn Sun (Claudia Black).


(This is a tough episode to pull useful screenshots from, there are so many close-ups).

All the former prisoners--Zhaan (Virginia Hey), Rygel (Jonathan Hardy), and D'Argo (Anthony Simcoe)--are enraged, though D'Argo later seems to be a little more understanding. Chiana is the only one to point out they'd known all along Aeryn was a Peacekeeper and what did they think she was doing? It's a small moment for Chiana but it makes sense given her background in a repressive culture where feelings and attitudes are forcibly regulated.

But it's different to see direct evidence of Aeryn harming a member of the crew, not just someone like a member of the crew. When Aeryn says, not in defence but in explanation, that she never even realised this was the same ship--she'd carried out assignments on dozens like Moya--it hardly seems to make it better.



Aeryn explains to Crichton (Ben Browder) how rigidly defined every person's role is among the Peacekeepers. A subplot told in flashback shows Aeryn falling for an officer named Velorek (Alex Dimitriades) who, like Crichton in the series première, had told her she could be "more" than a Peacekeeper--he sees she has the rare innate ability to look outside the box of Peacekeeper social engineering. More than an insight into Aeryn's character, though, it explains why she can't let herself off the hook. Claudia Black plays the character's torment very well.



Of course, Moya's current Pilot gets ahold of the footage thanks to Rygel who hopes to use the deed as a bargaining chip one day. A lot of references are made to the season one episode "DNA Mad Scientist"--Pilot's rage at Aeryn is, as he says, even greater because the two of them share a connexion from Aeryn receiving some of Pilot's DNA in that episode. But also, both Aeryn and Crichton recall how D'Argo, Zhaan, and Rygel had torn off one of Pilot's arms to use for barter. Pilot had been upset and resistant but ultimately accepted it as part of his role as a servant. Now he unreservedly wants to see Aeryn dead or at least off the ship. He grabs her by the throat and lifts her off the ground, a startling moment for such a normally passive character.



Crichton surmises there must be more to this anger than what Aeryn had done and so indeed it turns out--Pilot's rage at Aeryn is the long repressed anger at himself for being party to the replacement of the old Pilot. Whether he deserves to feel any guilt is tortuously unclear. The dynamic between Pilot and Aeryn in this episode yields some incredible moments.

. . .



This entry is part of a series I'm writing on Farscape for the show's 20th anniversary. My previous reviews can be found here (episodes are in the order intended by the show's creators rather than the broadcast order):



Season One:



Episode 1: Pilot

Episode 2: I, E.T.

Episode 3: Exodus from Genesis

Episode 4: Throne for a Loss

Episode 5: Back and Back and Back to the Future

Episode 6: Thank God It's Friday Again

Episode 7: PK Tech Girl

Episode 8: That Old Black Magic

Episode 9: DNA Mad Scientist

Episode 10: They've Got a Secret

Episode 11: Till the Blood Runs Clear

Episode 12: Rhapsody in Blue

Episode 13: The Flax

Episode 14: Jeremiah Crichton

Episode 15: Durka Returns

Episode 16: A Human Reaction

Episode 17: Through the Looking Glass

Episode 18: A Bug's Life

Episode 19: Nerve

Episode 20: The Hidden Memory

Episode 21: Bone to be Wild

Episode 22: Family Ties



Season Two:



Episode 1: Mind the Baby

Episode 2: Vitas Mortis

Episode 3: Taking the Stone

Episode 4: Crackers Don't Matter

Episode 5: Picture If You Will

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It was at least six or seven years ago Comic Con expanded beyond the capacity of the San Diego convention centre to accommodate, panels spilling over into all the ballrooms of all the hotels in the vicinity. But it was only this year I finally got around to seeing the Hilton Indigo Ballroom where there were two panels I wanted to see this year, the classic Doctor Who panel on Friday and the Expanse panel on Saturday.



And it looks like the Expanse panel isn't on YouTube yet so I can actually use some of the footage I took.



I mainly focused on writers Naren Shankar and Mark Fergus. In my experience, writers generally have the most interesting things to say on panels, but I couldn't resist getting some footage of Shohreh Aghdashloo as well.

I was a little sorry I missed getting a story Wes Chatham told about being stuck in a harness for some time during a stunt sequence because people had forgotten about him.

Despite the warnings about swearing written on the name cards, the panel previous to the Expanse, for another SyFy channel series called The Magicians, showed a complete lack of restraint with language.



I'd never heard of this show but judging from the crowd it has an extremely enthusiastic fanbase. Among them is moderator Chris Hardwick who seems to be regarded as the moderator of choice for any Comic Con panel. And he is pretty good--I've seen him moderate a lot of panels over the years and after being a bit too focused on himself early on he's really harnessed his talent for hosting to deliver consistently good work, generally finding just the right mix of staying out of the way of panellists and injecting humour and perspective when necessary. He said he'd begged to moderate The Magicians panel, calling it the new Buffy. The panel had a very good rapport so this was all enough to motivate me to check out the series for myself.



It's essentially Harry Potter with grad students. I enjoyed the first episode--I liked how quickly it moved, the references to Narnia were fun, and the use of magic as a metaphor for thinking outside a system was nice. But by the fourth episode I've found myself a bit tired of how whiny the characters are. I feel like this may be my age--it seems like whining is kind of a basic part of how millennials communicate because there's so much focus on nurturing one's own mental health. The fourth episode surprised me by featuring the standard plot of a main character waking up in a mental institution and being led to believe the reality in all the other episodes is his delusion. It seemed like record time for a show to go to a stock plot and, combining this with the whining, I don't feel especially motivated to continue watching it. The actors were pretty entertaining on the panel, though.



Even more entertaining was the panel for Gotham that preceded it, another show I haven't seen, though I have heard of it. My favourite part of the panel was the adorable Camren Bicondova, who plays Selena Kyle on the series, describing the filming of a scene that sounds similar to Selena's transformation in Batman Returns, where Selena is swarmed by cats while lying unconscious in the street. Bicondova described how all the cats but one were too afraid of the rain to actually perform so most of the cats eventually seen on screen were cgi, prompting Bicondova's co-star, Drew Powell, to remark, "Cats are pussies." Which I thought was pretty hilarious but there was a general offended "Oouuuu" from the audience in response. I don't know if it's because kids generally don't know "pussy" originally referred to cats or if they just considered it more important to be offended.

It was hard to get into the Indigo Ballroom that day, I think because Gotham and The Magicians were so popular. The room never filled up on the Thursday I saw the Classic Doctor Who panel, it was still too early for the click-bait attack campaign on Peter Davison to draw the torch and pitchfork mob. I saw panels for three shows I'd never heard of before the Doctor Who panel--Shadow Hunters, Z Nation, and a new Van Helsing series on SyFy that stars a female descendant of the famous vampire hunter, Vanessa Van Helsing, played by a lacklustre Kelly Overton, who was not present at the panel.



Rukiya Bernard, on the right above, plays a supporting character called Doc. Someone in the audience gushed to her about her performance which was the only part of the panel that made the show seem in any way interesting. This panel blurred with the similarly dull Z Nation panel.

Going to panels at the Hilton was nice, the lobby there being much more comfortable, with more comfortable seats, than the convention centre. There were shorter lines there for the bar and their cafeteria cart, too. Their system for getting people into the room was pretty disorganised, though, being the only line I've ever been in for Comic Con with a security bag check, which I suppose is a good idea, but with multiple bag check people it led to some confusion on Saturday when the line ended and dissolved in one spot and then everyone was supposed to line up again in a waiting area.

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